Origins
There’s a pain in the heart as if it’s sore from walking too far past mountains,
looking for another cavity to beat in
The moments I prayed “this will be history eventually”
while squeezing my eyes shut so tight
the sockets nearly swallowed them
The moments I traced a decaying tree’s branches
to their origins against a sky that was so white
it blinded me
The moments I tried to see order in a child’s tangle of lines,
only to realize that it was actual chaos
they wanted to express
The metal hull of an airplane pushes through clouds and I think
we will never be birds
you will never hear us sing
because we have been sucked into roaring engines
our wings and beaks ripped away
What if someone shot a thousand arrows
But instead of their calculated trajectories
They became a murmuration that swirled this way and that
Dancing for the frightful people below
bending around the tip of buildings and traffic lights
Everyone would laugh and celebrate
Not having been pierced by an arrowhead
Why is it that ants can build their nests in cracks of concrete everywhere
carrying things much bigger than themselves
I instead starve for all places and none
and carry nothing
an emptiness, when I should be full
immobile, when I should run
Here we are, rooted by an anchor that
we dropped ourselves in a sea
without shores
that will eventually drown us
but at least we can think
we are free
Nina Kamooei is a writer based in Ellicott City, Maryland. She was born in Limburg, Germany, to Iranian refugees. When she's not writing, she's raising two children and coding.
The walls speak. Now, they are asking me to speak as well.
A grandmother, but also something more—the balance, the fixed point one can return to with every turn.
There’s a pain in the heart as if it’s sore from walking too far past mountains,
looking for another cavity to beat in
My country, though I wasn’t your birth-child
you still folded me in
where I took root
Tell me your name
so I can write it in the blank lines between stars
جنگ که شروع شد، من تقریباً هیچ کاری نکردم جز ماندن. نه قهرمانی در کار بود، نه فرار، نه پناهگاه، نه حتی اضطرابی که بشود اسمش را ترس گذاشت.
This body of work navigates the paradox of holding on and letting go, preserving fleeting moments of home while accepting their inevitable disappearance.
I said I’m not a poet.
A writer, but not the poet kind.
I know, I know. It’s strange to hear.
از ساختمان سفید سنگی که بیرون میآیم، لحظهای متوقف میشوم. چشم میدوزم به برچسب ویزا که وسط گذرنامهام جا خوش کرده.
Mother who nurtures you
in one gesture weans you
and cradles the world.
با نگاه به عکسها خاطراتی از لحظات آن زمان برایمان تداعی میشود که دیگر قابل تکرار نیست ودر واقع این عکسها هستند که آن خاطرات را جاودانه کردهاند. در اینجا با تأکید بر همین موضوع لحظههایی از زندگیام را ثبت کردهام که با دیدن آنها میتوانم خودم را در عکسها پیدا کنم و روزهایی را که سپری کردهام به خاطر آورم
Lost in the cloud of the internet blackout, a black cloud that has been hanging over the Iranian plateau since January, anything becomes internet.
All throughout the blackout, I would screenshot any picture and video coming out of Iran which sparked familiarity even if I had never been to the area depicted.
It was only January. Ears could hear the seething wind through faintly yellowed cypresses standing starkly in the vast nothingness of the plain that was keeping poppies hidden under layers and layers of white.
I recall the past to untangle the present, to understand how glimpses of possibility and promise can be muddied by forces outside of our control.
Nina Kamooei is a writer based in Ellicott City, Maryland. She was born in Limburg, Germany, to Iranian refugees. When she's not writing, she's raising two children and coding.